Skip to main content

How Star Trek: Enterprise Revealed The Prime Directive’s Tragic Origin

In the episode titled “Dear Doctor,” Star Trek: Enterprise reveals the tragic origin of the spacefaring organization Starfleet’s Prime Directive, a rule forbidding contact with less-developed civilizations. Also referred to as “General Order 1,” the Prime Directive is portrayed throughout the Star Trek series as a fundamental principle in Starfleet’s ideology. However, Enterprise’s time frame is set before the Directive’s inception, leaving Captain Jonathan Archer and his crew facing numerous ethical quandaries.

The Prime Directive serves an integral and complicated role in the Star Trek canon, setting the standard protocol for all Starfleet personnel. According to the Directive, no contact can be made with civilizations classified in Star Trek as “pre-warp” or civilizations that are incapable of deep space travel. This is to ensure that less-developed societies thrive without being influenced by outside forces, essentially guaranteeing an order of events free from intrusion. The Prime Directive was yet to be established when the first Enterprise, commanded by Archer, embarked on its maiden voyage, but it would soon come into play after the crew’s visit to the planet Valakis.

Related: Strange New Worlds Can Finally Show How Kirk Met Spock In Star Trek Canon

The crew learns that the Valakians are an alien race dying of a mysterious disease. No fewer than 50 million of the Valakians are infected. Enterprise’s chief medical officer Phlox studies the disease to develop a cure, only to discover Star Trek's mysterious illness is a genetic flaw in Valakian DNA that will render the population extinct within 200 years. The focal point of the episode shifts from finding a cure to deciding whether Phlox’s humanitarian intervention to save the race is, in fact, ethical.

The issue becomes apparent when Phlox and Captain Archer reach an impasse on whether to deliver the cure. Phlox suggests that providing the Valakians with the cure would be artificially meddling with their natural evolution, effectively doctoring their fate. Archer vehemently disagrees, claiming Starfleet’s mission mandates they assist anyone in distress. Despite their opposing views, both are distraught with the magnitude of the dilemma.

They reach a compromise, and Archer entrusts Star Trek's Phlox to provide the Valakians with medicine to ease their symptoms instead of a cure. Nevertheless, the episode’s conclusion is noticeably pensive, reflecting Archer’s lingering uncertainty about his decision. Starfleet’s creation of the Prime Directive would clarify the organization’s purpose in space, but it would not make future ethical conflicts any less challenging.

The lack of a happy ending forces Star Trek: Enterprise’s audience to grapple with the issue of control. How much is too much? The Prime Directive is designed to maintain Starfleet’s neutral role as an exploratory organization, but this “hands off” approach has resulted in contentious outcomes on many a mission. Despite repeated encounters with less-advanced civilizations, Starfleet perseveres to meet the challenge to answer the call for help without changing time’s natural course.

Next: Picard Theory Suggests A Massive Change To Star Trek's Borg In Season 2



Comments

Popular posts from this blog

CBS' Ghosts: Every Main Ghost Time Period & Backstory Explained

One of CBS' newest sitcoms,  Ghosts , features a cast full of spectral characters that each hail from a distinct time period and come with their own unique backstory and death. Though each of the eight ghosts has a wildly different perspective based on their different experiences throughout history, they nonetheless form a sort of family, which is one of the show's greatest charms. After all, being stuck with the same people for all of eternity allows for plenty of time to get to know each other. Ghosts , which is an adaptation of a BBC show of the same name, stars Utkarsh Ambudkar and Rose McIver (who played Liv Moore on five seasons of  iZombie ) as Jay and Sam, a young couple who inherit a mansion in upstate New York. To their surprise, however, the house also comes with several ghostly inhabitants, who Sam is able to see after a near-death experience. These are Thorfinn (Devan Long), Sasappis (Román Zaragoza), Isaac (Brandon Scott Jones), Hetty (Rebecca Wisocky...

The Hateful Eight's Original Ending Explained (& Why Tarantino Changed It)

The Hateful Eight has an ending full of blood and betrayal, as expected from any Quentin Tarantino movie, but this wasn’t the original ending – here’s why he changed it. Tarantino has explored different genres throughout his career; though he’s best known for his crime movies like Reservoir Dogs and Pulp Fiction , he's also visited genres like martial arts (with both Kill Bill  films) and black comedy ( Once Upon a Time in Hollywood ). In addition, he's shared his version of westerns with Django Unchained and The Hateful Eight , with the latter going through some problems and creative changes even before it began shooting. Set in 1870, Tarantino's The  Hateful Eight follows eight strangers, all with different (and secret) motivations, who end up in a stagecoach lodge after seeking refuge from a blizzard. These characters are Major Marquis Warren (Samuel L. Jackson), John “The Hangman” Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), Chris Mannix (Walton Gog...

Why Spider-Man 3's Uncle Ben Retcon Doesn't Change Peter's Origin

Sam Raimi’s Spider-Man 3 is often criticized for a major retcon made to Uncle Ben’s death , but this retcon ultimately doesn’t change Peter Parker’s classic origin story. Raimi’s third film in the iconic Spider-Man trilogy is often criticized, perhaps unfairly. While the film suffers from too many character arcs and plot threads and would have been better as two or three separate films, it does a more than adequate job adapting the Spider-Man comics and telling a sincere story about relatable, flawed, characters who are intertwined with the extraordinary, just as Stan Lee and Steve Ditko intended when co-creating the character. Uncle Ben’s retconned death may alter classic elements from the comic version, but it retains its most important aspects in regards to Peter’s characterization. 2002’s Spider-Man is, for much of the film’s first half, a faithful adaptation of Spider-Man’s 1962 origin story in issue 15 of the Amazing Fantasy comics. An awkward social pariah, Pete...