Skip to main content

Star Trek: Picard's Q Return Supports Borg Peace Theory

Do the Borg want peace with the Federation? Q's actions in Star Trek: Picard season 2's "Penance" certainly point toward that conclusion. In Star Trek: Picard's dramatic season 2 premiere, the Stargazer encountered a subspace anomaly broadcasting a request to join the Federation and demanding to speak only with Jean-Luc Picard. Once Patrick Stewart arrived on the scene, the Borg revealed themselves. The Queen transported onto Stargazer's bridge uninvited and soon began assimilating the fleet's technology, provoking a shootout that would've ended in self-destruction had Q not made a timely intervention.

Though many interpreted episode 1's Borg confrontation as a deliberate act of aggression, Star Trek: Picard dropped a few clues suggesting otherwise. Why would the Borg use sneaky battle tactics, and give the Federation time to deliberate? Why would the Borg Queen only stun the attacking bridge crew, and why does Star Trek: Picard make such effort pointing this detail out? One Star Trek: Picard theory posits the Borg really did wish to join the Federation, and Q interfered because Picard made the wrong choice by hitting self-destruct instead of daring to trust his old, cybernetic enemies.

Related: Picard's Missing Crew Member Is Responsible For The Changed Timeline - Theory Explained

As the finer details of Q's plan come to light in Star Trek: Picard season 2's "Penance," that theory now looks considerably stronger. For starters, we know Q has dumped Picard and his gang in an alternate history where one changed detail from 2024 Los Angeles resulted in the Federation becoming the Confederation. In a turnabout worthy of the Mirror Universe, the Confederation has made Earth a planet of conquerors, moving from world to world waging war in the name of racial purity. They take pride in violence, revel in dominance, and thrive on discrimination. The Confederation are little better than the Borg... which may be the very point Q is trying to make. Because diplomacy took a vacation during episode 1's Stargazer battle, perhaps Q is now showing Picard how easily his precious Federation could've become a similarly evil race - the Borg of the Alpha Quadrant. That knowledge could provide the foundation Picard, Seven, Rios, and the others need to believe the Borg are capable of changing.

Also significant is how Q's "penance" forces Picard to seek the Borg Queen's help. In order to fix the timeline, Jean-Luc must travel back to 2024, but - as Q undoubtedly knows - the only method of time travel available is the Borg Queen prisoner in Confederation HQ. Essentially, Q has created a scenario where saving the galaxy forces the likes of Picard and Seven to cooperate with a Borg Queen, and once again, this exercise highlights common ground between the two sides. If Q's ultimate intention is to make Picard pick the "road not taken" of peace between Federation and Borg, engineering a situation whereby Star Trek: Picard's heroes must join hands with their enemies is a good way of fostering that trust.

After showing his favorite captain a version of history where the Confederation ruthlessly hunt the Borg (rather than the Borg ruthlessly hunting the Federation), Q probably plans to reinsert Picard back onto the Stargazer's bridge, where he can choose a different course of action, inspired by lessons learned visiting Earth's alternate future. Q describes this test as "penance," but rather than penance for Jean-Luc, maybe the mission is Q's own penance for introducing the Borg and Federation in the first place - which would make sense if Q (as Picard suspects) is close to death.

More: Does Star Trek: Picard's Secret Soong Cameo Reveal What Q Changed?

Star Trek: Picard continues Thursdays on Paramount+.



Comments

Popular posts from this blog

CBS' Ghosts: Every Main Ghost Time Period & Backstory Explained

One of CBS' newest sitcoms,  Ghosts , features a cast full of spectral characters that each hail from a distinct time period and come with their own unique backstory and death. Though each of the eight ghosts has a wildly different perspective based on their different experiences throughout history, they nonetheless form a sort of family, which is one of the show's greatest charms. After all, being stuck with the same people for all of eternity allows for plenty of time to get to know each other. Ghosts , which is an adaptation of a BBC show of the same name, stars Utkarsh Ambudkar and Rose McIver (who played Liv Moore on five seasons of  iZombie ) as Jay and Sam, a young couple who inherit a mansion in upstate New York. To their surprise, however, the house also comes with several ghostly inhabitants, who Sam is able to see after a near-death experience. These are Thorfinn (Devan Long), Sasappis (Román Zaragoza), Isaac (Brandon Scott Jones), Hetty (Rebecca Wisocky...

The Hateful Eight's Original Ending Explained (& Why Tarantino Changed It)

The Hateful Eight has an ending full of blood and betrayal, as expected from any Quentin Tarantino movie, but this wasn’t the original ending – here’s why he changed it. Tarantino has explored different genres throughout his career; though he’s best known for his crime movies like Reservoir Dogs and Pulp Fiction , he's also visited genres like martial arts (with both Kill Bill  films) and black comedy ( Once Upon a Time in Hollywood ). In addition, he's shared his version of westerns with Django Unchained and The Hateful Eight , with the latter going through some problems and creative changes even before it began shooting. Set in 1870, Tarantino's The  Hateful Eight follows eight strangers, all with different (and secret) motivations, who end up in a stagecoach lodge after seeking refuge from a blizzard. These characters are Major Marquis Warren (Samuel L. Jackson), John “The Hangman” Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), Chris Mannix (Walton Gog...

Why Spider-Man 3's Uncle Ben Retcon Doesn't Change Peter's Origin

Sam Raimi’s Spider-Man 3 is often criticized for a major retcon made to Uncle Ben’s death , but this retcon ultimately doesn’t change Peter Parker’s classic origin story. Raimi’s third film in the iconic Spider-Man trilogy is often criticized, perhaps unfairly. While the film suffers from too many character arcs and plot threads and would have been better as two or three separate films, it does a more than adequate job adapting the Spider-Man comics and telling a sincere story about relatable, flawed, characters who are intertwined with the extraordinary, just as Stan Lee and Steve Ditko intended when co-creating the character. Uncle Ben’s retconned death may alter classic elements from the comic version, but it retains its most important aspects in regards to Peter’s characterization. 2002’s Spider-Man is, for much of the film’s first half, a faithful adaptation of Spider-Man’s 1962 origin story in issue 15 of the Amazing Fantasy comics. An awkward social pariah, Pete...