I don't typically like the term "guilty pleasure," especially when it comes to genre movies. Whatever we think is good or interesting belongs in the same category of thought and discussion, regardless of its packaging. But, I have to admit, I feel a little guilty about liking Silent Night. I've often found it rewarding to think too hard about films that don't actively invite it, but some that felt solid can crumble under the extra pressure in retrospect, something I usually take into account in a review. In this case, for whatever reason, no amount of clarity about its hollowness has put a dent in my enjoyment. So, all I can offer in the way of criticism is a glimpse into my cognitive dissonance — an accounting of all the reasons I shouldn't recommend Silent Night, and why I do anyway.
Bob Clark's 1974 horror film Black Christmas is one of the most influential slasher movies of all time, and it has an unforgettably chilling ending. In Black Christmas Billy is considered the villain as he picks off victims one by one, and after almost 50 years, his identity is still debated. The story takes place in a sorority house, where the residents are throwing a Christmas party before they depart. Little do they know, however, that a perverted killer has made his way into the house, and is preparing to pick them off one by one. The Billy Black Christmas character remains in the shadows for most of the movie, that is, until the chilling ending.
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